“Inglorious Barbarians: Court Intrigue and Military Disaster Strike Xerxes, ‘the sick man of Europe.’” Under review for A Companion to the Reception of Aeschylus, edited by R. Kennedy (Brill, 2016). 20 pages
“Learning Together: Female Political Detainees in the Athenian Averof Prison from the Mid-1940s through the 1950s.” Under review for volume Women and Captivity, edited by L. Cheliotis (2016). 20 pages
“Aris Alexandrou’s Antigone (1951): A Critique of the ‘blank pages on which the revolution writes its instructions.’” Under review for IJCT. 15 pages
“Arthur W. Pinero and Cavafy the Dramatist: The Parallel Quest for the Quality Play.” Forthcoming in special issue of Studies in the Literary Imagination 48, no. 2 (Fall 2016). 30 pages
“Comedy and Tragedy in Agon(y): The 1902 Comedy Panathenaia of Andreas Nikolaras.” In Brill’s Companion to the Reception of Aristophanes, edited by Ph. Walsh, 240-262 (Leiden and Boston: Brill, 2016)
“Greece: A History of Turns, Traditions, and Transformations.” In A Handbook to the Reception of Greek Drama, ed. B. van Zyl Smit, 201-220 (Malden, MA and Oxford: Wiley-Blackwell, 2016)
“About Revival and Survival, Myth and Myth-Making.” Invited preface in Περί . . . αναβίωσης· Από τους αρχαίους μύθους στους μύθους της θεατρικής ιστορίας (Δέκα μελετήματα) [About . . . Revival: From the Ancient Myths to the Myths of Theater History (Ten Studies)], by A. N. Mavroleon (Athens: I. Sideris, 2016)
“Parading War and Victory under the Greek Military Dictatorship: The Hist(o)rionics of 1967-74.” In War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict, ed. A. Bakogianni and V. M. Hope, 271-290 (notes on pp. 389-392) (London: Bloomsbury, 2015). Also “Classics Confidential” video interview on the topic of “Parading War and Victory under the Greek Military Dictatorship: The Hist(o)rionics of 1967-74,” online at http://classicsconfidential.co.uk/2016/02/13/drama/
“Money, Materialism, Tramps, and Strongmen on the Greek Stage of 1970: The Nannies of Giorgos Skourtis.” In Η λάμψη του χρήματος στη νεοελληνική λογοτεχνία: Από την Κρητική Αναγέννηση στην αυγή του 21ου αιώνα. The Glitter of Money in Modern Greek Literature: From the Cretan Renaissance until Today, ed. G. P. Pefanis, 793-806 (Athens: Kostas and Eleni Ouranis Foundation, 2014)
“Snapshots of Aristophanes and Menander: From Spontaneous Reception to Belated Reception Study.” In TheCambridge Companion to Greek Comedy, ed. M. Revermann, 433-450 (Cambridge: Cambridge University Press, 2014)
“Sin and the City: A Mid-Fifteenth-Century Lament for the Fall of Athens to the ‘Persians.’” In Re-imagining the Past: Antiquity and Modern Greek Culture, ed. D. Tziovas, 229-251, Classical Presences series (Oxford: Oxford University Press, 2014)
“Close Encounters of the Comic Kind: Aristophanes’ Frogs and Lysistrata in Athenian Mythological Burlesque of the 1880s.” In Ancient Comedy and Reception: Essays in Honor of Jeffrey Henderson, ed. S. D. Olson, 747-761 (Berlin and Boston: De Gruyter, 2013)
“All the King’s Patriots? The Persians within the Walls of Nineteenth-Century Athens.” In Dialogues with the Past 1: Classical Reception Theory and Practice, ed. A. Bakogianni, 79-96 (London: ICS, 2013)
“Reception of Greek Tragedy in Later Greek Literature and Theater.” In The Encyclopedia of Greek Tragedy, ed. H. M. Roisman, 1084-1091 (Malden, MA: Wiley-Blackwell, 2013)
“The Glory that is Greece (1941).” Introduction and notes in Louis MacNeice: The Classical Radio Plays, ed. A. Wrigley and S. J. Harrison, 43-47 (notes to pp. 49-79) (Oxford: Oxford University Press, 2013)
“Myth, Mystique, Nietzsche, and the ‘Cultic Milieu’ of the Delphic Festivals, 1927 and 1930.” In Americans and the Experience of Delphi, ed. P. Lorenz and D. Roessel, 51-88 (Boston: Somerset Hall Press, 2013)
“TheStory of Ali Retzo: Brechtian Theater in Greece under the Military Dictatorship.” Journal of Modern Greek Studies 31, no. 1 (2013) 85-115.
Winner of the Philadelphia Constantinidis Essay in Critical Theory Award of the Comparative Drama Conference 2014
“Bloody (Stage) Business: Matthias Langhoff’s Sparagmos of Euripides’ Bacchae (1997).” In Performance in Greek and Roman Theatre, ed. G. W. M. Harrison and V. Liapis, 501-515 (Leiden and Boston: Brill, 2013)
“Enter Antigone, Let the Agones Begin: Sophocles’ Antigone in Nineteenth-Century Greece.” In A Companion to Sophocles, ed. K. Ormand, 538-556 (Malden, MA and Oxford: Wiley-Blackwell, 2012)
“Where Have All the Tyrants Gone? Romanticist Persians for Royals, Athens 1889.” In Translation and Opposition, ed. D. Asimakoulas and M. Rogers, 77-92 (Bristol, UK: Multilingual Matters, 2011)
“The Audacity of Truth: The Antigone of Aris Alexandrou, a Play of Island Detention from the Greek Civil War.” BICS 54, no. 1(2011) 115-136
“An Early Morning Person? Aristophanes and His Star-Studded Comic Prologues: Scenarios of Reception” (in Greek). In Attic Comedy: Characters and Approaches (in Greek), ed. Th. G. Pappas and A. G. Markantonatos, 778-813 (Athens: Gutenberg, 2011) [translated into Greek by Theodoros Bouchelos]. Reprinted in Eleventh International Symposium on Ancient Greek Drama, 2, 3, 4 July 2010, ed. Ch. Georgiou, 70-112. Cyprus: Cyprus Centre of the International Theatre Institute, Lefkosia, 2011
“The Antigone of Aris Alexandrou on the Urban Stage in Thessaloniki.” In Antigoneon the Contemporary World Stage, ed. E. B. Mee and H. P. Foley, 235-251 (Oxford: Oxford University Press, 2011)
“‘Now the struggle is for all’ (Aeschylus’s Persians 405): What a Difference a Few Years Make When Interpreting a Classic.” Comparative Drama 44/45, nos. 4/1 (2010/11) 495-508
“Rallying the Nation: Sport and Spectacle Serving the Greek Dictatorships.” The International Journal of the History of Sport 27, no. 12 (August 2010) 2121-2154. Special issue “Sport, Bodily Culture and Classical Antiquity in Modern Greece.” Reprinted in Sport, Bodily Culture and Classical Antiquity in Modern Greece, ed. E. Fournaraki and Z. Papakonstantinou, 117-150 (London and New York: Routledge, 2011)
“Aris Alexandrou, Antigone: A Cross-Presentation of the Play’s Translation.” The Charioteer: An Annual Reviewof Modern Greek Culture 48 (2010) 57-67
“Will Act for Change? Putting the History back into Performance History.” Syllecta Classica 19 (2008) 255-269
“When to Stop Performing? The Delphic Festivals, Nietzsche, and Mounting Militarism of the Late 1920s and 1930s.” Dialogues 2 (2008) 1-46
“‘You unleash the tempest of tragedy’: The 1903 Athenian Production of Aeschylus’ Oresteia.” In A Companion to Classical Receptions, ed. L. Hardwick and C. Stray, 360-372 (Oxford: Blackwell, 2008)
“Enacting History and Patriotic Myth: Aeschylus’ Persians on the Eve of the Greek War of Independence.” In Cultural Responses to the Persian Wars: Antiquity to the Third Millennium, ed. E. Bridges, E. Hall, and P. J. Rhodes, 299-329 (Oxford: Oxford University Press, 2007)
“Politics and Aristophanes: watchword ‘Caution!’” In The Cambridge Companion to Greek and Roman Theatre, ed. M. McDonald and J. M. Walton, 108-123 (Cambridge: Cambridge University Press, 2007) [translated into Greek by Vayos Liapis. Athens: Kardamitsa, 2011]
“From Scandal to Success Story: Aristophanes’ Birds as Staged by Karolos Koun.” In Aristophanes in Performance 421 BC-AD 2007: Peace, Birds and Frogs, ed. E. Hall and A. Wrigley, 155-178 (London: Legenda, 2007)
“Translating—or Not—for Political Propaganda: Aeschylus’ Persians 402-405.” In Modes of Censorship andTranslation: National Contexts and Diverse Media, ed. F. Billiani, 117-141 (Manchester, UK: St. Jerome, 2007)
“Joining Our Grand Circus.” Journal of Modern Greek Studies, special issue on modern Greek theater 25, no. 2 (2007) 301-332
“Rehearsing Revolution: Aeschylus’ Persians and the Greek War of Independence.” In The Greek World between the Age of Enlightenment and the TwentiethCentury, ed. K. A. Dimadis, vol. 2, 131-138 (Athens: Ellinika Grammata, 2007). Translated into Greek by Angela Christophidou and republished in Theatrika Nea (journal of the Cyprus Centre of the International Theatre Institute, ITI) 45 (May 2008) 13-16
“The Mask of Tragedy: Censorship and Classical Drama under the Greek Military Dictatorship (1967-1974).” In Symposia Proceedings, X and XI International Meeting on Ancient Greek Drama, ed. European Cultural Centre of Delphi, 175-194 (Athens: Ermis, 2007)
“Forgotten Theater, Theater of the Forgotten: Classical Tragedy on Modern Greek Prison Islands.” Journal of Modern Greek Studies 23, no. 2 (2005) 335-395
“The Woman Wielding the Axe.” International Journal of the Classical Tradition 11, no. 4 (2005) 629-639
“Margarita Papandreou: Bearing Gifts to the Greeks?” Based on a study of the personal archives of M. Papandreou. Journal of Modern Greek Studies 21, no. 2 (2003) 245-282
“Rolling out the Red Carpet: Power ‘Play’ in Modern Greek Versions of the Myth of Orestes from the 1960s and 1970s. Part II.” International Journal of the Classical Tradition 9, no. 2 (2002) 195-235
“Rolling out the Red Carpet: Power ‘Play’ in Modern Greek Versions of the Myth of Orestes from the 1960s and 1970s. Part I.” International Journal of the Classical Tradition 9, no. 1 (2002) 51-95
“Greek Worlds, Ancient and Modern: To Whom They May (or May Not) Concern.” Introduction to special issue of the Journal of Modern Greek Studies 20, no. 2 (2002) 175-190
“Trying (on) Gender: Modern Greek Productions of Aristophanes’ Thesmophoriazusae.” American Journal of Philology 123, no. 3 (2002) 407-427. Reprinted in Classical and Medieval Literature Criticism 138, ed. L. J. Trudeau, 181-191 (Detroit: Gale, 2012)
“‘The World’s a Circular Stage’: Aeschylean Tragedy through the Eyes of Eva Palmer-Sikelianou.” International Journal of the Classical Tradition 8, no. 3 (2002) 375-393
“Playing by the Censors’ Rules? Classical Drama Revived under the Greek Junta (1967-1974).” Journal of the Hellenic Diaspora 27, nos. 1-2 (2001) 133-194
“Destined to Be? Tyche in Chariton’s Chaereas and Callirhoe and in the Byzantine Romance of Kallimachos and Chrysorroi.” L’Antiquité Classique 67 (1998) 203-211
“Aristophanes on the Modern Greek Stage.” Dialogos: Hellenic Studies Review 2 (1995) 71-90
“Aspects of ‘Public Performance’ in Aristophanes’ Acharnians.” L’Antiquité Classique 63 (1994) 211-224
